Difference between revisions of "James Abbott McNeill Whistler"
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== See also == | == See also == | ||
| + | * [[Art for art's sake]] | ||
* [[Artist]] | * [[Artist]] | ||
* [[Painter]] | * [[Painter]] | ||
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== External links == | == External links == | ||
| − | * [] @ Wikipedia | + | * [https://en.wikipedia.org/wiki/James_Abbott_McNeill_Whistler James Abbott McNeill Whistler] @ Wikipedia |
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| + | [[Category:Artists]] | ||
| + | [[Category:Painters]] | ||
| + | [[Category:People]] | ||
Latest revision as of 04:43, 30 March 2016
James Abbott McNeill Whistler (ˈdʒeɪmz ˈæbət məkˈniːl ˈwɪslɚ) (July 10, 1834 – July 17, 1903) was an American-born, British-based artist active during the American Gilded Age.
Works
He was averse to sentimentality and moral allusion in painting, and was a leading proponent of the credo "art for art's sake".
His famous signature for his paintings was in the shape of a stylized butterfly possessing a long stinger for a tail.
The symbol was apt, for it combined both aspects of his personality — his art was characterized by a subtle delicacy, while his public persona was combative.
Finding a parallel between painting and music, Whistler entitled many of his paintings "arrangements", "harmonies", and "nocturnes", emphasizing the primacy of tonal harmony.
His most famous painting is "Arrangement in Grey and Black No. 1" (1871), commonly known as Whistler's Mother, the revered and oft-parodied portrait of motherhood.
Whistler influenced the art world and the broader culture of his time with his artistic theories and his friendships with leading artists and writers.
See also
External links
- James Abbott McNeill Whistler @ Wikipedia
